Chilkuri Sushil Rao’s “Oscar Challagariga” submitted to Festival De Cannes for 77th Cannes Film Festival in May 2024 in Short Films Official selection

Chilkuri Sushil Rao’s “Oscar Challagariga” submitted to Festival De Cannes for 77th Cannes Film Festival in May 2024 in Short Films Official selection

Festival De Cannes has confirmed submission of "Oscar Challagariga" in the Short Films Official Selection registration. The film is produced and directed by Chilkuri Sushil Rao. The 77th Cannes Film Festival Festival de Cannes will take place from May 14 – 25 2024. At Cannes, short films feature in the Competition, at the end of which the Short Films Jury awards a Palme d’Or, and in the Short Film Corner, a platform dedicated to the art of shorts amidst the Marché du Film. These two entities operate in symbiosis to serve up an overarching snapshot of the international short film scene and foster ties between creative output and industry. From among the submissions for the Short Films, the selections will be done in March. "Oscar Challagariga" is about how Challagariga village in Jayashankar Bhupalpally district in Telangana celebrated the Oscar win of lyricist Kanukuntla Subhash Chandrabose. In the Oscar awards presented by the The Academy in March 2023, Chandrabose won the Oscar for Best Original song along with music director M M Keeravani for the song "Naatu Naatu" from the film "RRR" directed by S S Rajamouli.

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When YSR said to me, "Rao garu, I'll tell you a family secret".

“Did you discuss with your wife about your intention to undertake an indefinite fast?” I asked Y S Rajasekhar Reddy. This was in the year 2000 when he was CLP leader. He and Congress MLAs made a swift move and sat on protest at old MLA quarters, against the power purchase agreements that the then N Chandrababu Naidu government had signed with some companies. I went to the place the following day again and sat with YSR for a while, as he explained to me why they were forced to take to such a form of protest. The MLAs also had no idea he would announce an indefinite fast. And then I asked him about whether he consulted his wife on undertaking the indefinite fast. “Let me tell you something,” he said. “I did not have to consult my wife on undertaking the fast, but I did inform her. She is concerned about my health. But now even I am concerned about her. Because I am on a fast, she too is not eating at home and is fasting,” YSR told me. That was the bond the husband-wife s...

Jamuna was a strong-willed woman. Beautiful. And Courageous. I recall a conversation I had with her.

Jamuna was a strong-willed woman. Beautiful. And Courageous. I recall a conversation I had with her. When I went to her house at Banjara Hills – this was more than two decades ago – I could hear some commotion. I was at the gate, wondering whether I should enter or not, though she had asked me to come over for an interview. I stood at the gate for a couple of minutes. It was a hard decision to take. Was I there at the wrong time? I could hear shouts and shrieks. I chose to take a few steps back. A well-known actress, Jamuna was not just known for her sterling performances in her films. To borrow Christopher Marlowe’s description of ‘Helen of Troy’, Jamuna’s face could launch a thousand ships. She had done films with the reigning heroes of her time – N T Rama Rao and Akkineni Nageshwara Rao. When she was 16 years old, Jamuna made her screen debut with the film ‘Puttillu’ in 1953. Wikipedia which mentions that she was active in acting in films till 1983. Back to Jamuna’s house. I ran...

Silk Smitha gave me a glimpse into her mind

“Turn the fan towards us,” she said as she sat on her chair with me beside her. I’d been waiting for her to finish the shot and she was also aware that I’d come. I had met her the previous day at Sarathi Studios at Ameerpet. She was shooting for song in a film. “It’s a tight schedule today. Can we meet tomorrow again for a more leisurely talk?” She said it with a smile. Polite. Her disposition was impression. Silk Smitha was well mannered. I’d always wondered if she indeed had than so child-like voice that one got to watch in her movies. Was that voice ‘made-up’ to sound teasing? I’d wondered about that. So that one thing was clarified with the very first meeting. The next day took too long to come. Or so I felt. I had many questions to ask Silk Smitha. Very, many, clarifications to seek. To know her story. How she became, where she had come up. But would I get to sit with her with as much ‘leisure’ as she had promised knowing well that she would be at work shooting? Or would she...

Chilkuri Sushil Rao

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