August 24, 2025

True story: When the most wanted criminal could not run away from himself

 True story: When the most wanted criminal could not run away from himself

An imagined posthumously written last page in the diary of Pallakonda Raju 

Everyone wished to see my end. That it came soon. With torture added. You wanted to see fear writ large on my face. You wanted me to notice that they had no pity whatsoever for me. I did not deserve any of their pity, after all that I had done. I saw the celebrations that took place at Singareni Colony in Saidabad in Hyderabad, when the news burst on everyone’s faces that I had died. They burst crackers.

There were some who wanted to dismember my body. That would have meant death several times over—for their sake. Their anger was justified. They made no bones of their intentions. I won't sit in judgment over them and the stance they took. What moral right do I have anyway? When I did the unthinkable to a little girl, I had stripped myself of all my rights to live after that. I had myself signed my death warrant then itself.

As for me, I wanted to live. Not die. I wanted to leave this past behind and go away somewhere. I wanted to mingle in the public and get away. Why did I commit that crime? I should have thought of the consequences before I unleashed myself on an innocent victim who trusted me.

The law takes its own course, they say. I would be arrested. I would then be taken to the spot where I committed the crime. This would be for ‘scene recreation’ during the police investigation. Would I survive it?

Dying was not on my agenda. It did not cross my mind. Then what right did I have to violate and snuff the life out of my victim who was my neighbour? The circumstances in my life put those wicked thoughts in me. I watered the thoughts. The neighbours knew my wife had left me and had gone to her parents' house with my eight-year-old daughter. I was left alone in the house.

I loved my daughter. She was my world. I loved my wife too. I told her she was my life. I proved it to her by getting a tattoo of her name done on my arm. Could there have been a better way of professing my love for her? It was this very tattoo, the identity that was publicised, that allowed me to be nabbed. There was no way I could remove it. There was no way I could run away from reality. The odds were against me. 

The world was upset with me. Angry. They were like lions prowling after me. They were like a pack of hungry wolves. They were like dogs waiting to claw me. They were not afraid of the consequences. The people of Singareni Colony in Hyderabad asked the police to apprehend me and hand me over to them. The mob wanted to deliver their own kind of justice. I heard what they said. The combined anger of them all would have left me dismembered.

They destroyed my room. Broke it open. They found my victim, whom I had wrapped in a bed to hide. The sight broke the hearts of her parents. The relatives plunged into grief. There was only one name on everyone's lips: Pallakonda Raju.

Until that time, not many even knew me in the colony. I hardly had any conversations with the people there.

What happened that day, on September 9, 2021?

Will come back to that later.

Let me tell you what happened on September 16, 2021.

I had escaped the dragnet of the police for seven days. I had evaded arrest. It had become tiresome being on the run. If I had to keep going, I had to keep my mind strong. There was no strength left in me. Everywhere I went, it seemed like the police were closing in on me—or so I imagined. I wanted to outsmart them all. If the world was waiting for some news, it was this: that Pallakonda Raju had finally been captured by the police. And that I had become history, only to be loathed as a memory.

I could not escape hiding my identity for too long. I had long hair. There were the tattoos too. Of course, the tattoos could be hidden. And yes, I could have cut my hair. When there was a hunt for me, could I have gone into a barber's shop to ask for a haircut? That would have been risking too much.

Frankly, after I committed the crime—yes, I admit—it was a heinous crime—I did not quite know what to do. I had no readymade escape plans. I could not think of hideouts. Going home to my mother's place was ruled out. That would be the first place the cops would go searching for me.

Then where did I go? First, I had ‘pani puri’. That filled my stomach for then. What did I choose to do? How did I hide? After I fled, the CCTV cameras tracked me initially. I managed not to be sighted again. At least I was under that impression.

On the run, far away from my house, I saw a train on the tracks. It appeared fast and furious. I took the final plunge.


The Last Words

Now I am no more. You celebrated. You cursed. You wept. You demanded justice.

 Do not think that I escaped. My death was not freedom. It was punishment, written into every breath I took in those final days.

 If there is anything left of me, it is only a warning. A reminder of what unchecked desire, anger, and weakness can destroy. A family shattered. A community wounded. A child silenced forever.

I am Pallakonda Raju. My name will not be remembered with love. It will be remembered with rage. And perhaps that is the justice you sought.


The Lesson We Cannot Ignore

Every act of violence leaves more than one victim. The dead carry silence, but the living carry scars.

 No crime happens in isolation—it destroys families, ruptures trust, and shatters the fabric of society. My life and my end are proof that desire unchecked, anger unrestrained, and conscience ignored can only lead to ruin.

 If there is anything to be learned from my fall, it is this:

Respect is stronger than fear.

Restraint is stronger than impulse.

And justice—whether of law or of life—will always find its way.


The News That Was

In September 2021, a six-year-old girl went missing from Saidabad, Hyderabad. She was later found dead in her neighbour Pallakonda Raju’s house. Authorities identified him as the main suspect in the case.

The police launched a statewide manhunt, announcing a cash reward for information. The incident triggered widespread public outrage and protests in the community.

On September 16, 2021, Raju was found dead on railway tracks near Station Ghanpur in Jangaon district. Police described it as a suicide, though his family raised questions about the circumstances.

Following the incident, the Telangana High Court ordered a judicial inquiry into the events surrounding his death, with a Magistrate tasked to submit a detailed report.

(Note: Image is AI generated)



August 08, 2025

Profile of Chilkuri Sushil Rao, Journalist

Profile of  Chilkuri Sushil Rao, Journalist. 

Overview

Chilkuri Sushil Rao from Hyderabad has been a journalist since 1988.  He has been with The Times of India, Hyderabad since its launch in Hyderabad from the year 2000. He is Editor-Special Reports and focuses on covering Defence, Indian diaspora across the world, the Telugu film industry, socially relevant subjects and Telangana state. He has covered several elections during his career as a journalist, including interviewing national leaders and doing investigative reports.

He began his journalism career at the age of 20 and has completed 37 years in journalism in 2025. He is a gold medalist in bachelor’s in Communication and Journalism from the Department of Communication and Journalism, Arts College, Osmania University, Hyderabad. He also did his Master’s in journalism from the same department.

In the socially relevant stories that he has written, Chilkuri Sushil Rao wrote reports highlighting the plight of women trafficked to various countries. Through the intervention of the then Union external affairs minister Sushma Swaraj, many could return home to Hyderabad. His writings on the abduction of Indian seafarers by pirates in Nigeria and stranded sailors on ships in various parts of the globe have had a positive impact. The Government of India took measures to rescue them.

Through his writings, Chilkuri Sushil Rao highlights the heroic deeds of common people and highlights their achievements. His focus is also on the under privileged and the helpless highlighting their difficulties so that they receive help. He also does video reports and podcasts for The Times of India where he is currently working.

Chilkuri Sushil Rao on social media

Email: sushilrao1@gmail.com

Twitter: @sushilrTOI

Facebook: Ch Sushil Rao

Linkedin: Sushil Rao Chilkuri

Youtube: Sushil Rao Chilkuri (@chsushilrao)

Podcasts on:  Spotify, Apple, Anchor, 


Professional journey:

Staff reporter at Citizen’s Evening, Hyderabad - 1988-89

Staff reporter at Deccan Chronicle, Secunderabad - 1990-1995

Senior reporter and chief reporter at The Guardian, Secunderabad - 1996

Senior reporter and chief reporter at AP Times, Hyderabad - 1997-1998

Contributed to Rediff-on-the-net, Andhraonline website, was part of a business programme on Gemini TV as anchor, Involved in election results coverage for Doordarshan - 1999

Principal correspondent and chief reporter at Deccan Chronicle, Secunderabad - 1999-2000

Principal correspondent and chief reporter at The Times of India, Hyderabad - 2000-2002

Special Correspondent 

Assistant Editor 

Senior Assistant Editor - Political coverage

Editor-Special Reports/Defence, Indian diaspora across the world, Telugu film industry, Telangana state, politics/ podcasts/Video reports (present 2025)


Education: 

St Patrick’s High School, Secunderabad: Class LKG to Class V11, 

Wesley Boys’ High School, Secunderabad: Class X111 to Class 10 (SSC), 1983

Wesley Boys’ Junior College, Secunderabad: Intermediate (MPC), 1985

Badruka College of Commerce, Kachiguda, Hyderabad: B Com, 1988

University College of Arts and Sciences, Department of Communication and Journalism, Arts College, Osmania University: Bachelor of Communication and Journalism, 1989-90

University College of Arts and Sciences, Department of Communication and Journalism, Arts College, Osmania University: Master of Communication and Journalism, 1990-91

University College of Arts and Sciences, Arts College, Osmania University: M A (English) (Previous), 1991-92

University College of Arts and Sciences, Arts College, Department of Communication and Journalism, Arts College, Osmania University: M Phil (Part 1)


NPTEL courses pursued:

IIT Bombay: Understanding Incubation and Entrepreneurship, Jan-April 2023

IIT Madras: Appreciating Hindustani Music, Feb-April 2023

IIT Kanpur: Moral Thinking: An Introduction To Values And Ethics, , Aug-Sept 2023 (topper in the course)

IIT Madras: Appreciating Carnatic Music, July-Sept 2022

IIT Kanpur: Indian Art: Materials, Techniques And Artistic Practices, July-Oct 2023

IIT Madras: Introduction to Film Studies, July-Oct 2022

Savitribai Phule Pune University:  Indian Classical Dance - Kathak,  Dec 2023 (Swayam course)

Central university of Kerala: Film Studies, Feb 2022 (Swayam course)

Media and Entertainment School (MeeSchool), Hyderabad and T-Hub: Cinepreneur course, Jan-March 2023

IIT Madras: Nptel + workshop on AI-Powered Content Creation and Film Making: From imagination to execution Batch-2, by Shaswat Mookherjee, IIT Madras Research Park


Additional courses:

Film and Television Institute of India (FTII) and Instructional Media Centre (IMC), Moulana Azad National Urdu University and Indian Documentary Producers Association (IDPA), Mumbai:  Workshop on ‘Documentary Filmmaking’  March 2023 at IMC, MANUU, Gachibowli, Hyderabad.

Film and Television Institute of India and IMC, MANUU at MANUU, Gachibowli, Hyderabad: Certificate course in introduction to films,  2019


Also studied: 

Course in Philosophy from the Massachusetts Institute of Technology, Cambridge, US. (online)

Completed a study in “The Threat of Nuclear Terror” from Stanford University, California, US. 

Did a Stanford University Lead Preview course on “Neuroscience and the Connection to Exemplary Leadership.” (online)

Pursued a four-week certificate course in ‘Discover acting’ offered by the Royal Central School of Speech and Drama, University of London, securing 90 per cent marks. (online)

Completed online course on mobile film making offered by Sundance Collab, Sundance Institute, California.

Enrolled for PG Diploma in International Humanitarian Laws, (2019-20) from Directorate of Distance Education, Nalsar University of Law, Hyderabad. 


TEDx talks:

TEDxOakridgeIntlSchoolGachibowli 2024, held on April 20, 2024. (Oakridge International School, Gachibowli, Hyderabad)

TEDxGRIET on Jan 18, 2025 (Gokaraju Rangaraju Institute of Engineering and Technology, Hyderabad)

TEDxCMRITHyderabad on April 11, 2025. (CMR Institute of Technology, Hyderabad)


Also spoke at

LeadTalksHyderabad 2018


Delivered guest lectures at:

Department of Communication and Journalism, Osmania University

St Ann’s Women’s Degree College, Mehdipatnam, 

St Joseph’s Degree College, Koti

Loyola Degree and PG College, Alwal

Badruka College of Commerce, Kachiguda

Teach for India school programme


Television appearances: 

Interviewed by Mirror TV, IDream News, KC Talks Career, Hit Talks, Aadhan TV. All on Youtube. 


Documentaries screenings and participation in film festivals:

Cannes World Film Festival, Cannes, France - Documentary “Oscar Challgariga” (winner) December 2023.

Indo-French Film Festival, Puducherry, India - Documentary “When global kites met local culture” (winner) Feb 2024

India International Film Festival, Kolkata, India - Documentary “Let the mother bird go” (winner) April 2024

All Living Things Environmental Film Festival (ALT EFF) Panchgani, Maharashtra, India - Documentary “Let the mother bird go” (Honorable mention)

Hollywood Bestie Indie Film Awards - Documentary “Captain’s knock” May 2024 (Selected)

Los Angeles Movie and Music Film Awards - Music video “May you be victorious” July 2024 (selected) (Picturised in  Hollywood, London, Pennsylvania, Bengaluru, Hyderabad and Wangamarthy village in Telangana. 

Red Fox International Film Festival - Documentary “Captain’s knock” July 2024 (Selected)

London Lift-Off Film Festival - Music video “May you be victorious” Nov 2024 (Selected)

Paris Lift-Off Film Festival - Documentary “Human feelings in Robot wars” August 2024 (Selected)

Los Angeles Lift-Off Film Festival - Documentary “When global kites met local culture” July 2024 (Selected)

Toronto Lift-Off Film Festival - Music video “Samson and Delilah” May 2024 (Selected)

New York Lift-Off Film Festival - Documentary “Hero of the sea” June 2024 (Selected)

Film Haus - Documentary “Oscar Challagariga” Oct 2024 (Semi finalist)

Indo-Dubai International Film Festival: Documentary “Oscar Challagariga” Feb 2024 (Selected)

Belgrade International Film Festival: Documentary “Oscar Challagariga” October 2024 (Selected)

Berlin Lift-Off Film Festival: Documentary “Oscar Challagariga” Feb 2024 (Selected)

8th International Folklore Film Festival, Kerala, India: Documentary “The Great Indian Tamarind Tree” (Selected)

Global Independent Film Festival of India: Documentary “May you be victorious!” Nov 2023 (Selected)

Cannes World Film Festival: Documentary “The Great Indian Tamarind Tree” March 2023 (Semi finalist)

7th Indian World Film Festival, Hyderabad: Documentary “Swapnika” March 2023 (Certificate of excellence - Special festival mention)

7th Indian World Film Festival, Hyderabad: Documentary “Nostalgia” March 2023 (Selected)

Cannes World Film Festival, Cannes, France: Documentary “India’s GreenHeart Dusharla Satyanayana” April 2023 (Semi-finalist)

4th Nadi Utsav Delhi: Documentary “India’s GreenHeart Dusharla Satyanarayana) at Indira Gandhi National Centre for Arts, Ministry of Culture, New Delhi,  September 2023 (Special screening)

Telangana International Film Festival, Hyderabad: Documentary “India’s GreenHeart Dusharla Satyanarayana” December 2022 (Special jury award)

Department of Culture, Govt of Telangana, Paidi Jairaj Preview Theatre: Documentary “Kafeel Mujhe India Jaane Do: (Hindi/English) screening, May 2019

Tokyo International Film Festival, Ecovision Global Film Festival, Sydney, Indian International Film Festival, Kolkata: “Let the Mother Bird Go” 2024 (Selected)


Books authored:

*Blood Money: A dramatic narrative of Iscariot Judas' betrayal of Jesus

*Dinah

*The Gospel Truth Newspaper: Newspaper style reportage of the life of Jesus Christ.

*King David's God On Call 24/7

*The 11:59 God of King David

*Breaking News - The Messiah is born! Reporting Live from Bethlehem (TV reporting script)


As a Burrakatha folk artiste: 

Gave performances since 1978. 

Performed at World Music Day organised by L&T Metro, George Hull Collective, Alliance Francaise  Hyderabad, Goethe Zentrum  at MGBS metro station and Kukatpally metro station in 2024.

Performance at Ameerpet metro station in 2025.


Countries visited: 

Singapore, Bangladesh and the UK. 


Awards: 

*Lifetime Achievement Award: 

Presented at Ravindra Bharathi, Hyderabad, by former assembly speaker S Madhusudhana Chary  April 20, 2023 instituted by Sruthilaya Arts Academy and Sealwel.

*International Legend Award

Presented by home minister Mahmood Ali at Taj Deccan, Hyderabad on March 18,  2023 instituted by NSI Global Council, NSI Foundation.  


Prizes won: 

Photography contest organised by Telangana Forest department at Kasu Brahmananda Reddy national Park, Hyderabad. 


Featured in newspapers and websites

Deccan Chronicle, Telangana Today, SouthFirst, HinduDayashankar, Eenadu, Sakshi, Siasat, Munsif, BreakingNow, MetroTV, The Hindu, NewsTap, HashtagU, The Hans India, Rspn network, PTI and other newspapers.




October 27, 2024

You know the story. Now know the story behind the story in Saye Sekhar's book "WittyLeaks"

 You know the story. Now know the story behind the story in Saye Sekhar's book "WittyLeaks" 

You know the story. Now know the story behind the story in Saye Sekhar's book "WittyLeaks" 

When a celebrity journalist like Saye Sekhar deems it worthy to say some kind words about my professionalism, it speaks more for his magnanimity and generosity than me deserving such praise. 

Appreciation by a peer, especially by a friend and colleague with whom I worked shoulder to shoulder, is valuable and precious. 


While reading Saye Sekhar’s debut book “WittyLeaks”, I thoroughly enjoyed every chapter. Saye is known for his wit and grit. He has stored every single detail in his mind over the last few decades to recall and put them down in writing.





That’s the man. A journalist who will seek out the last detail possible to know. His photographic memory, as I have seen, is exceptional.


At times, when I was reading the book, I simply put it aside and wondered: “How could the man do this?” “How could he pursue a story so doggedly without giving up?” “What drives him to go beyond the horizon to explore the impossible?”


Saye Sekhar is a self-made journalist. His exploits as a journalist are his very own achievements. 

Saye Sekhar’s stories would explode, almost all the time, on the front page of the newspaper. They would explode right into the face of politicians, their rivals, bureaucrats and leave the journalistic fraternity wondering how and from where he got his earthshaking stories from. For the readers, it was worth reading the newspaper that day. And there was always a promise that there were more to follow. Without saying it in as many words, Saye would indicate: “Watch this space”.





In “WittyLeaks”, Saye recounts his interactions with politicos, industrialists, film personalities, bureaucrats and the like takes us on a journey. It is like a friend, walking alongside you, and narrating all the fun he’s had doing those hard-hitting stories and how he got to land them. 


After coming to power and becoming chief minister Y S Rajasekhar Reddy made a telephone call to Saye. Why would he do that? 


Early one morning, the telephone at Saye’s home rang. It was N T Rama Rao’s call. Why would NTR call him?

Dhirubhai Ambani was eager to speak to Saye. 


There is no boasting anywhere as if to drop the names. These interactions that Saye had with them, and many others showed, that getting that big story that day mattered to him. 





You must also read about how deftly he managed a situation and did an interview with N Chandrababu Naidu. 


My joy knew no bounds when I came to the acknowledgements towards the end of the book. 

“My dearest friend Ch Sushil Rao, Editor (special reports), The Times of India, Hyderabad, wrote a blog of anecdotes from his professional life as a reporter. This inspired me to put down my own,” he wrote.


“Whenever I published a post on Facebook reminiscing on the events behind the stories, numerous friends complimented me and exhorted me to compile them in book form. Finally, on one of our meetings in June 2024, Sushil set a deadline for me to do that. Sushil, I cannot thank you more,” Saye wrote.

So, quite naturally, I was thrilled when Saye’s book “WittyLeaks” got published and chief minister A Revanth Reddy released it.



It would appear like I am lavishing too much praise on myself but do me a favour if you read Saye’s book. Do not miss Chapter 34. At page 145, read the last paragraph. Happy reading.






June 08, 2024

Ramoji Rao published an editorial in "Eenadu" about me and my friends. Here's why

                 Ramoji Rao published an editorial  in "Eenadu" about me and my friends. Here's why

              Ramoji Rao published an editorial in "Eenadu" about me and my friends. Here's why


Ramoji Rao garu wrote an editorial about us in ‘Eenadu’. This lengthy editorial on a Sunday took my friends and me by complete surprise. We were elated that an unusual programme - unheard of - for that matter - that my friends and I organised at Arts College, Osmania University, caught his attention.




The editorial, while lauding us for thinking of holding such a programme, appreciated us for thinking of talking openly about such as thing as we did, on the campus, for the benefit of students. The editorial also suggested that such ‘out-of-the-box’ ideas should be encouraged and appreciated.


I had never met Ramoji Rao garu till then. In fact, it would only be two decades later that I would have a chance meeting with him at a conference where we exchanged pleasantries - which last for just a few seconds. There was hardly any scope for me to hold a conversation with him and tell him about how he had eulogised us in the editorial in ‘Eenadu” in 1991.



I began my foray into journalism in 1988 working for “Citizen’s Evening.”  In 1989-90,  I studied journalism from  the Department of Communication and Journalism at Arts College, Osmania University. My friends - Sangishetty Srinivas, Ravi A E, LVSP Sastry, and Anil Kumar and I went on to do our MCJ also during 1990-91. By this time, I had already joined “Deccan Chronicle”.


While we were on the campus, my friends and I noticed what was obvious anyway for everyone who could take but a minute to notice and understand. 

Love happened. Love did not happen.

Someone fell in love. The other person did not reciprocate.

The result: Hearts broke.

The broken hearts lay strewn in pieces all around - in classrooms, on the lawns, at the library, at the canteen, and in the corridors of the Arts College building.

We wanted to apply a soothing balm. 


So, we conceived a programme. We called it “Bruised Lovers Conference”. We printed pamphlets with an image of a broken heart and an arrow piercing the heart with blood dripping. We went to every college on OU campus and put up the invitations to attend the conference that was to be held at Room no. 57, Arts College - the most sought after and famous venue for many a meeting. 

This conference was unlike all the others.


We gave out personal invitations too. We invited those who we saw were disheartened when their love was not reciprocated by someone they were interested in. We also invited those who had the unpleasant experience of turning down somebody’s love.

The podium was set. The microphones were arranged. The doors were left wide open for anyone and everyone to attend the programme.

The intention was to give the students hope beyond a failed attempt at love. Life would have to go on. 


My friends in the English department were also enthusiastic about the idea, as much as friends from the Geography department and Economics department.. I joined the MA English at Arts College by the time our plans for conducting the programme materialised. 

If my friends Sangishetty Srinivas, Ravi AE, LVSP Sastry and Anil Kumar were certain about one thing it was - that no one would turn up for the meeting.


Why would anyone want to be identified as someone who had been rejected in love? Why would anyone else want to be seen with people mourning their heart breaks?

And so, all of us friends, instead of being at the venue, Room no. 57, went to the main canteen on the campus for our daily dose of tea, as usual, like any other day.

“What are you’ll doing here when there is a crowd of people already in Room no. 57?” a friend who rushed to the canteen and found us there, asked.

Was he to be believed?


The point was whether anyone had responded to the invitation or not, as organisers of the programme, we had to to be there. We had, anyway, decided, that irrespective of whether anyone came or not, irrespective of how many came, the show would go on.

I saw a question mark on the face of everyone who had come. I will not say that the hall was jam packed but it was considerably full. This was not expected. But we had drawn up a programme.


I welcomed the audience. They were puzzled as to what was going on. I told them the progrmame was meant to give hope to those who are feeling dejected as their love has not been reciprocated. I said it was meant to give strength to those who were feeling weak that they had been discarded in love. I said it was meant to reiterate self-respect for the one who rejected someone’s love, as they had the right to choose their life partners - at the right time and in their own way.

This meeting was all things to all people.


I invited a friend on to the stage. She was a good singer. We were friends because we liked the same kind of songs - during that period songs of Kumar Sanu and Udit Narayan were a huge hit. The music was melodious.

We chose the song “Dil Yeh Kehta Hai” from the movie “Phool Aur Kaante” starring Ajay Devgun and Madhu and sung by Udit Narayan and Alisha Chinai. Music was by Nadeem Shravan.

The lyrics:

Dil yeh kaheta hai kanon mein tere

Thoda karib aa ke, bahon mein tere

Dhire se mai ek bat kahu

Kyaa..

I love you, I love you

I love you..I love you

Dil yeh kaheta hai kanon mein tere

Thoda karib aa ke bahon mein tere

Dhire se main, ek bat kahu

Kyaa..

I love you, I love you

I love you, I love you


Our speakers on the occasion spoke about how no one should be disheartened because of failure in love. We suggested that everyone going through a turmoil should realise that they should allow the phase to pass. The speeches were made.

Much to our encouragement, another friend asked if she could also speak. She came up and delivered a speech that summarised the real intent of why we had conducted the programme. She said those who get rejected in love - boys or girls - must remain emotionally strong to take their lives forward. They should not continue to dwell on the present discouragement but understand that they are as unique as anybody else and they would find their real love and the one who would really reciprocate in the future. That time will come, she said in encouragement.

The meeting was a huge success. It was a resounding success.

We thought it was all over when a huge news report with photographs was published in “Udayam” newspaper about the event. We were over the moon. This was grand! It was a big surprise, a pleasant one. The one who wrote it was friend and senior in the university Ghanta Chakrapani.

As I mentioned, we were overjoyed. The fact that a well-known newspaper chose to publish a very encouraging new report about our programme was proof enough that what we had done was indeed laudable.

Little did we realise then that the mother of all surprises awaited us. 

The following Sunday, in “Eenadu”, a lengthy editorial was published being highly appreciative of us holding such a unique programme and suggesting that universities should encourage such thought processes



It has been 33 years since the event took place. When we meet as old students of Arts College, we make it a point to go to the venue and recollect the programme. Not only do we recollect, we re-enact them as a remembrance for posterity. 

Eenadu” founder and editor Ramoji Rao has passed away today - on June 8, 2024. We pay rich tributes to the man who stood as a pillar of support and giving us a certificate of appreciation through the editorial he wrote in the newspaper. 


May 26, 2024

చిలుకూరి బుర్రకథ బృంధం వారి తెలుగు జానపద కళారూపం ‘బుర్రకథ’ అంతర్జాతీయ స్థాయికి చేరుకుంది, టొరంటో లిఫ్ట్-ఆఫ్ ఫిల్మ్ ఫెస్టివల్‌కు ఎంపికైంది

 చిలుకూరి బుర్రకథ బృంధం వారి తెలుగు జానపద కళారూపం ‘బుర్రకథ’ అంతర్జాతీయ స్థాయికి చేరుకుంది, టొరంటో లిఫ్ట్-ఆఫ్ ఫిల్మ్ ఫెస్టివల్‌కు ఎంపికైంది  


చిలుకూరి బుర్రకథ బృంధం వారి తెలుగు జానపద కళారూపం ‘బుర్రకథ’ అంతర్జాతీయ స్థాయికి చేరుకుంది, టొరంటో లిఫ్ట్-ఆఫ్ ఫిల్మ్ ఫెస్టివల్‌కు ఎంపికైంది  

సాంప్రదాయకంగా ప్రసిద్ధి చెందిన తెలుగు జానపద కళారూపం "బుర్రకథ"లోని ఒక పాట-కథ కథనం టొరంటో లిఫ్ట్-ఆఫ్ ఫిల్మ్ ఫెస్టివల్‌లో అధికారికంగా ఎంట్రీగా ఎంపిక చేయబడింది. 


భారతదేశంలోని హైదరాబాద్‌కు చెందిన చిల్కూరి శ్యామ్‌రావు, చిల్కూరి వసంత్‌రావు మరియు చిల్కూరి సుశీల్‌రావు అనే ముగ్గురు సోదరులతో కూడిన చిలుకూరి బుర్రకథ బృదం "సామ్సన్ మరియు దెలీలా" అనే బుర్రకాను ప్రదర్శించారు. బలమైన సామ్సన్ అందమైన డెలీలాతో ఎలా ప్రేమలో పడతాడు అనే బైబిల్ కథ ఆధారంగా ఈ కథ రూపొందించబడింది. 

సామ్సన్ బలం యొక్క మూలం సురక్షితంగా సంరక్షించబడిన రహస్యంగా ఉంది, అయితే దెలీలా తన పట్టణస్థులచే బలవంతంగా సామ్సన్ తన బలం యొక్క రహస్యాన్ని ఆమెకు తెలియజేయడానికి బలవంతం చేసింది, తద్వారా వారు అతనిని అధిగమించగలరు. 


గ్రిప్పింగ్ కథనంలో, బుర్రకథలోని ప్రధాన కళాకారుడు చిలుకూరి వసంత్ రావు ప్రేమ, ద్రోహం మరియు తీరని పోరాటం యొక్క కథ ద్వారా మనలను తీసుకువెళతాడు.టొరంటో లిఫ్ట్-ఆఫ్ ఫిల్మ్ ఫెస్టివల్‌ను ప్రముఖ UK-ఆధారిత లిఫ్ట్-ఆఫ్ గ్లోబల్ నెట్‌వర్క్ నిర్వహిస్తుంది, ఇది ప్రపంచవ్యాప్తంగా చలనచిత్రోత్సవాలను నిర్వహిస్తుంది.


చిలుకూరి బుర్రకథ బృందం 1970ల చివరలో మరియు 1980ల ప్రారంభంలో హైదరాబాద్ మరియు అనేక ఇతర ప్రదేశాలలో వారి మొదటి మరియు అనేక ప్రదర్శనలను అందించింది.చిలుకూరి శ్యామ్‌రావు సీనియర్ న్యాయవాది, ప్రొఫెసర్ రెవ్ డాక్టర్ చిలుకూరి వసంతరావు యునైటెడ్ థియోలాజికల్ కళాశాల, బెంగళూరు ప్రిన్సిపాల్ మరియు చిలుకూరి సుశీల్ రావు పాత్రికేయుడు మరియు డాక్యుమెంటరీ చిత్రనిర్మాత. 


టొరంటో లిఫ్ట్-ఆఫ్ ఫిల్మ్ ఫెస్టివల్ సందర్భంగా ప్రదర్శించబడే “”సామ్సన్ అండ్ డెలిలా” చిలుకూరి సుశీల్ రావు నిర్మించి దర్శకత్వం వహించారు. చిల్కూరి సుశీల్ రావు హైదరాబాద్‌లోని ఉస్మానియా విశ్వవిద్యాలయంలోని కమ్యూనికేషన్ అండ్ జర్నలిజం విభాగం నుండి జర్నలిజం మరియు కమ్యూనికేషన్‌లో మాస్టర్స్ డిగ్రీని కలిగి ఉన్నారు. 


మౌలానా ఆజాద్ నేషనల్ ఉర్దూ యూనివర్శిటీలో ఫిలిం అండ్ టెలివిజన్ ఇన్‌స్టిట్యూట్ ఆఫ్ ఇండియా, పూణే అందించే ఫిల్మ్ కోర్స్ చేశారు. అతను నేషనల్ ప్రోగ్రామ్ ఆన్ టెక్నాలజీ ఎన్‌హాన్స్‌డ్ లెర్నింగ్ (NPTEL) ద్వారా IIT మద్రాస్ మరియు సెంట్రల్ యూనివర్శిటీ, కేరళ అందించే ఫిల్మ్ సర్టిఫికేట్ కోర్సులు చేసాడు. అతను ఐఐటి మద్రాస్ నుండి కర్ణాటక సంగీతంలో సర్టిఫికేట్ కోర్సు మరియు హిందుస్తానీ సంగీతంలో సర్టిఫికేట్ కోర్సు కూడా చేసాడు.


Telugu folk art form ‘Burrakatha’ by Chilkuri Burrakatha Brundham goes global, gets selected for Toronto Lift-Off Film Festival  



A song-story narration in the traditionally popular Telugu folk art form “Burrakatha” has been officially selected as an entry in the Toronto Lift-Off Film Festival. The burraka titled “Samson and Delilah” has been performed by the Chilkuri Burrakatha Brudham comprising three brothers - Chilkuri Shyam Rao, Chilkuri Vasanth Rao and Chilkuri Sushil Rao hailing from Hyderabad, India. 


The story is based on the Biblical story of how the strong Samson falls in love with the beautiful Delilah. The source of Samson’s strength had been a safely guarded secret but Delilah is coerced by her townsmen to get Samson reveal to her the secret of his strength so that they can overpower him. 

In the gripping narrative, the main artiste in the burrakatha Chilkuri Vasanth Rao takes us through the story of love, betrayal and a desperate fight back.


Toronto Lift-Off Film Festival is organised by the popular UK-based Lift-Off Global Network which organises film festivals across the globe.


The Chilkuri Burraktha Brundham gave their first and many performances during the late 1970s and early 1980s in Hyderabad and many other places.


Chilkuri Shyam Rao is a senior advocate, Prof Rev Dr Chilkuri Vasanth Rao is the Principal of United Theological College, Bangalore and Chilkuri Sushil Rao, is a journalist and a documentary filmmaker. 

“”Samson and Delilah” which will be screened during the Toronto Lift-Off Film Festival, has been produced and directed by Chilkuri Sushil Rao. 


Chilkuri Sushil Rao has a master’s degree in journalism and communication from the Department of Communication and Journalism, Osmania University, Hyderabad. He has done a film course offered by the Film and Television Institute of India, Pune at Maulana Azad National Urdu University. He has done film certificate courses offered by IIT Madras and Central University, Kerala through the National Programme on Technology Enhanced Learning (NPTEL). He also has done a certificate course in Carnatic Music and a certificate course in Hindustani Music, both from IIT Madras.


Burrakatha : టొరంటో లిఫ్ట్‌ ఆఫ్‌ ఫిలిం ఫెస్టివల్‌ కు ‘చిల్కూరి బుర్రకథ’కు ఎంపిక


Hindudayashankar news report


తెలుగు జానపద కళారూపం బుర్రకథకు అరుదైన ఘనత.. టొరంటో లిఫ్ట్‌ ఆఫ్‌ ఫిలిం ఫెస్టివల్‌కు ఎంపిక


MaaGulf news report



May 17, 2024

Chilkuri Sushil Rao’s “Captain’s Knock” documentary selected for two international film festivals

 Chilkuri Sushil Rao’s “Captain’s Knock” documentary selected for two international film festivals


Chilkuri Sushil Rao’s “Captain’s Knock” documentary selected for two international film festivals


 A documentary titled “Captain’s Knock” produced and directed by Hyderabad-based documentary filmmaker Chilkuri Sushil Rao has been selected for two international film festivals.

The documentary has been selected for the Red Fox International Film Festival, Tbilisi, Georgia to be held in June 2024.


It has also been officially selected for the Hollywood Best Indie Film Awards, an IMDb qualifying film festival. The announcement about the selection was made on May 17.


The documentary is about how six Indian seafarers abandoned on a ship for two years struggle to survive. They eventually emerge victorious showing grit and determination in their difficult situation


Original footage from a ship abandoned on the sea forms the basis of the documentary where the captain of the ship talks about the hardship seafarers face when they are literally abandoned without even being supplied proper food and drinking water. Thanks to the intervention of the Govt of India, and the Seafarers Associations, the seafarers eventually are able to disembark the ship and go back to their families.



https://www.maagulf.com/view/89527/featurednews/chilkuri-sushil-rao-s-captain-s-knock-documentary-selected-for-two-international-film-festivals


https://www.newstap.in/amp/city-news/chilkuri-sushil-raos-captains-knock-documentary-selected-for-two-international-film-festivals-1535950