Skip to main content

Chilkuri Sushil Rao awarded a ‘Certificate of excellence’ at the 11th Mumbai Shorts International Film Festival

 

Chilkuri Sushil Rao awarded a ‘Certificate of excellence’ at the 11th Mumbai Shorts International Film Festival.

The recognition was for the entry of a short documentary titled “The Great Indian Tamarind Tree”.  “El peso de la quietud’ made by Manuel Ojeda of Cuba was adjudged best documentary film. ‘Kara – Star of the world’ directed by Daniel Mark Bendell of the US was given the Best documentary (Jury) award.

The film festival was held in Mumbai on December 11, 2022. I would not attend the festival in person. All the entries in various categories were screened at the film festival.

It was a small recognition as my entry was accepted to be screened at the festival for which I was given a ‘Certificate of excellence’. I dedicate this first small recognition to noted filmmaker B Narsing Rao. I went to his house in Hyderabad and expressed my thanks and gratitude.



My thanks and gratitude to B Narsing Rao because the very first film that I watched in my life was ‘Maa Bhoomi’ that was produced by him and released in the year 1979. What is significant is that it was the only movie that my father took me to watch. My mother, father and I watched it at Rahat Mahal theatre (later renamed as Raja deluxe) at Musheerabad, Hyderabad. The film was directed by Goutam Ghose. I had the privilege of watching the film with the director in Hyderabad during the inauguration of an international film festival at the Lalitha Kala Thoranam.

In addition to ‘Maa Bhoomi’, Narsing Rao’s films ‘Daasi’, ‘Maa Ooru’, ‘Rangula Kala’ and documentaries 'The Carnival’, ‘The City’ and ‘Akruti – Rock formations’ have received international recognition.



“Dedicating the ‘Certificate of excellence’ to B Narsing Rao was something satisfying. He stands as a tall figure as a filmmaker on the global circuit. Every work of his shows his artistic calibre. Meeting him and dedicating the award to him has only given me more inspiration to approach a subject in a way that it is presented as conceived,” Chilkuri Sushil Rao said.

B Narsing Rao wished Chilkuri Sushil Rao many more accolades.



Synopsis of the documentary: It was the year 1908. A cloud burst caused a deluge in Hyderabad. The Musi river overflowed. The tragedy was that on September 28 as many as 15,000 people lost their lives. In the midst of this, 150 were able to save their lives climbing a tree and clinging on to its branches. The  tree stands tall and strong at Afzalgunj in the old city in Hyderabad. Local groups and tree lovers visit the place and commemorate the event. The tree is said to be 200 years ago and is part of the history of the city which was founded in 1591 by Mohd Quli Qutb Shah.

 


Comments

Popular posts from this blog

When YSR said to me, "Rao garu, I'll tell you a family secret".

“Did you discuss with your wife about your intention to undertake an indefinite fast?” I asked Y S Rajasekhar Reddy. This was in the year 2000 when he was CLP leader. He and Congress MLAs made a swift move and sat on protest at old MLA quarters, against the power purchase agreements that the then N Chandrababu Naidu government had signed with some companies. I went to the place the following day again and sat with YSR for a while, as he explained to me why they were forced to take to such a form of protest. The MLAs also had no idea he would announce an indefinite fast. And then I asked him about whether he consulted his wife on undertaking the indefinite fast. “Let me tell you something,” he said. “I did not have to consult my wife on undertaking the fast, but I did inform her. She is concerned about my health. But now even I am concerned about her. Because I am on a fast, she too is not eating at home and is fasting,” YSR told me. That was the bond the husband-wife s...

Jamuna was a strong-willed woman. Beautiful. And Courageous. I recall a conversation I had with her.

Jamuna was a strong-willed woman. Beautiful. And Courageous. I recall a conversation I had with her. When I went to her house at Banjara Hills – this was more than two decades ago – I could hear some commotion. I was at the gate, wondering whether I should enter or not, though she had asked me to come over for an interview. I stood at the gate for a couple of minutes. It was a hard decision to take. Was I there at the wrong time? I could hear shouts and shrieks. I chose to take a few steps back. A well-known actress, Jamuna was not just known for her sterling performances in her films. To borrow Christopher Marlowe’s description of ‘Helen of Troy’, Jamuna’s face could launch a thousand ships. She had done films with the reigning heroes of her time – N T Rama Rao and Akkineni Nageshwara Rao. When she was 16 years old, Jamuna made her screen debut with the film ‘Puttillu’ in 1953. Wikipedia which mentions that she was active in acting in films till 1983. Back to Jamuna’s house. I ran...

Silk Smitha gave me a glimpse into her mind

“Turn the fan towards us,” she said as she sat on her chair with me beside her. I’d been waiting for her to finish the shot and she was also aware that I’d come. I had met her the previous day at Sarathi Studios at Ameerpet. She was shooting for song in a film. “It’s a tight schedule today. Can we meet tomorrow again for a more leisurely talk?” She said it with a smile. Polite. Her disposition was impression. Silk Smitha was well mannered. I’d always wondered if she indeed had than so child-like voice that one got to watch in her movies. Was that voice ‘made-up’ to sound teasing? I’d wondered about that. So that one thing was clarified with the very first meeting. The next day took too long to come. Or so I felt. I had many questions to ask Silk Smitha. Very, many, clarifications to seek. To know her story. How she became, where she had come up. But would I get to sit with her with as much ‘leisure’ as she had promised knowing well that she would be at work shooting? Or would she...